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veronica 3/09/2026

Homo Faber 2026: a story told through five projects

Under the artistic direction of Es Devlin, the new edition of Homo Faber transforms San Giorgio Maggiore into an island of light and showcases contemporary craftsmanship
Homo Faber returns to light up the scene on the island of San Giorgio Maggiore in Venice. And this year, the effect seems even more striking thanks to the theme guiding this fourth edition: ‘An Island of Light’. It is, in fact, a narrative that weaves together light, materials, talent and creativity, coming to life amongst the magnificent halls and gardens of the Giorgio Cini Foundation – organiser of the event alongside the Cologni Foundation for the Arts and Crafts, curated by the Michelangelo Foundation for Creativity and Craftsmanship. Artistic director Es Devlin – a British artist and designer whose long career has also included theatre set designs, Olympic ceremonies and monumental sculptures for concerts – has organised over 700 works across 15 installations, each characterised by interplays of light, water, reflections, movement and sound, with the aim of engaging the public and immersing them in the world of the arts and crafts. ‘My aim is to offer a new perspective,’ explains Es Devlin. ‘For me, it is important that visitors to Homo Faber 2026 can enjoy an experience through which they can explore the origins of objects, the hands that made them, and the situations and places in which they were created.’ This is the purpose of Homo Faber: a space in which to explore the arts and crafts, learn their language and be inspired by the creativity of making. “In an age where technology is capable of generating images, synthesising voices and reproducing forms with astonishing results, many are rediscovering the pleasure of authenticity and deeper values,” comments Hanneli Rupert, executive vice-president of the Michelangelo Foundation. “We are constantly searching for the human touch: traces of individuality, imperfection, skill and awareness.”
A Great Turning, Giulio Ghirardi - Photo © courtesy of Michelangelo Foundation
A Great Turning, Giulio Ghirardi - Photo © courtesy of Michelangelo Foundation
Here, then, are over 500 craftspeople from all over the world, each a guardian of ancient techniques and knowledge, reinterpreted in a variety of forms that blend tradition, innovation, contemporary art and experimentalism, to explore the full potential of materials and ‘hands-on’ craftsmanship. Alongside the exhibition at San Giorgio Maggiore, the experience extends across the lagoon with ‘Homo Faber in Città’, a series of events and exhibitions showcasing the city’s rich heritage of craftsmanship; part of the project is Casa Sanlorenzo, which opens with a series of two exhibitions curated by Sanlorenzo Arts; ‘Ca’ Riflesso by Artemest’, which recreates the imaginary home of a discerning collector, where furniture, lighting, decorative objects and works of art by over 40 Italian artisans blend into a domestic narrative; and ‘Fiat Lux’ by De Mains De Maîtres Luxembourg, an exhibition bringing together over 60 objects created by some of Luxembourg’s finest artisans. At the same time, 130 artisan workshops across the city of Venice will be open to the public free of charge throughout the month of September.

1. Standing out in the Foundation’s garden, outside the ‘An Atelier Alive’ hall, is the work Rivivo – a sculpture designed in 2010 by Estúdio Campana and created by Venini – which today stands as a testament to an archive that continues to inspire reflection, research and new interpretations. Originally conceived as a fountain, its base consists of ‘cotissi’ – rough blocks of glass extracted from the furnace’s crucibles – whilst its interior incorporates recognisable fragments of some historic Venini creations, assembled with copper wire.

2. The city’s exhibition circuit includes the first solo exhibition in Venice by the Swiss artist and designer Armand Louis, co-founder of Atelier Oï, entitled “Dallo Sguardo Al Segno”, presented by Lo Studio – Nadja Romain in collaboration with Galleria Rossana Orlandi. A body of blown glass works inspired by nature and developed in close collaboration with the master glassmakers at Wave Murano Glass.

Rivivo by Venini, design Estúdio Campana
Innesto, design Armand Louis
A Feast of Light, Homo Faber 2026A Feast of Light Giulio, Homo Faber 2026

3. In the Palladian Cenacolo, one of the most significant spaces at the Giorgio Cini Foundation, ‘A Feast of Light’ is on display. The installation spans the majestic hall with a vertical beam of light that brings to life a collection of white objects made of porcelain, glass, fabric and paper, arranged on the reflective surface of an enormous illuminated table. All around, nineteen Summa pouffes, created exclusively by Giorgetti using fabrics and colourways selected by Es Devlin, become an integral part of the narrative.

Lampade Soffio by Draga & Aurel - Photo © Manfredi GioacchiniSoffio by Draga & Aurel - Photo © Manfredi Gioacchini
Mani e Farfalle by FornasettiMani e Farfalle by Fornasetti
Lampade Soffio by Draga & Aurel - Photo © Manfredi GioacchiniSoffio by Draga & Aurel - Photo © Manfredi Gioacchini
Mani e Farfalle by FornasettiMani e Farfalle by Fornasetti

4. ‘Ca’ Riflesso’, the exhibition presented by Artemest and hosted by Sanlorenzo Arts at Casa Sanlorenzo, is illuminated by 13 ‘Soffio’ wall lamps designed by the creative duo Draga & Aurel and produced in the Murano glassworks: each one distinct from the others, combining different colours and textures, enhanced by textural effects such as craquelé, pulegoso and cotisso.

5. Fornasetti also takes centre stage at Homo Faber with a new interpretation of the ‘Mani e Farfalle’ vase, originally designed by Piero Fornasetti in 1940 and crafted by Barabini Specchi Veneziani with hand-engraved details. Barnaba Fornasetti, Artistic Director of the Atelier, revisits the archive design, now emphasising its visual lightness.

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