Homo Faber 2026: a story told through five projects
Under the artistic direction of Es Devlin, the new edition of Homo Faber transforms San Giorgio Maggiore into an island of light and showcases contemporary craftsmanship
1. Standing out in the Foundation’s garden, outside the ‘An Atelier Alive’ hall, is the work Rivivo – a sculpture designed in 2010 by Estúdio Campana and created by Venini – which today stands as a testament to an archive that continues to inspire reflection, research and new interpretations. Originally conceived as a fountain, its base consists of ‘cotissi’ – rough blocks of glass extracted from the furnace’s crucibles – whilst its interior incorporates recognisable fragments of some historic Venini creations, assembled with copper wire.
2. The city’s exhibition circuit includes the first solo exhibition in Venice by the Swiss artist and designer Armand Louis, co-founder of Atelier Oï, entitled “Dallo Sguardo Al Segno”, presented by Lo Studio – Nadja Romain in collaboration with Galleria Rossana Orlandi. A body of blown glass works inspired by nature and developed in close collaboration with the master glassmakers at Wave Murano Glass.
Rivivo by Venini, design Estúdio CampanaInnesto, design Armand Louis
A Feast of Light Giulio, Homo Faber 2026
3. In the Palladian Cenacolo, one of the most significant spaces at the Giorgio Cini Foundation, ‘A Feast of Light’ is on display. The installation spans the majestic hall with a vertical beam of light that brings to life a collection of white objects made of porcelain, glass, fabric and paper, arranged on the reflective surface of an enormous illuminated table. All around, nineteen Summa pouffes, created exclusively by Giorgetti using fabrics and colourways selected by Es Devlin, become an integral part of the narrative.
4. ‘Ca’ Riflesso’, the exhibition presented by Artemest and hosted by Sanlorenzo Arts at Casa Sanlorenzo, is illuminated by 13 ‘Soffio’ wall lamps designed by the creative duo Draga & Aurel and produced in the Murano glassworks: each one distinct from the others, combining different colours and textures, enhanced by textural effects such as craquelé, pulegoso and cotisso.
5. Fornasetti also takes centre stage at Homo Faber with a new interpretation of the ‘Mani e Farfalle’ vase, originally designed by Piero Fornasetti in 1940 and crafted by Barabini Specchi Veneziani with hand-engraved details. Barnaba Fornasetti, Artistic Director of the Atelier, revisits the archive design, now emphasising its visual lightness.