Jaipur Rugs Mumbai - Photo © Avesh GaurThere is a natural connection between Jaipur Rugs’ new showroom and its setting. The space is in Lower Parel, within the Empire Mills compound, an area that was once at the heart of Girangaon, Mumbai’s historic “mill village”. From the late nineteenth century into the early twentieth, spinning mills, warehouses and chimneys shaped its industrial landscape, helping establish the city’s textile-making identity. Today, many of these buildings have been given new uses, but their industrial legacy remains an intrinsic part of the neighbourhood.
It is against this backdrop that Jaipur Rugs, a brand deeply rooted in India’s hand-weaving tradition, has opened its new space designed by Roar. Rather than competing with the existing architecture, the studio chose to work with it, retaining the Victorian-era steel structure, pitched roof and high-level glazing that characterise the former warehouse. The deliberately understated industrial shell provides the backdrop for a light yet distinctive intervention.


The new interior takes its cue from fractal geometry and the recurring structures found throughout nature that here become a metaphor for the rhythm of weaving. A sequence of stepped, cuboid volumes runs through the space, repeating at different scales to become platforms, display walls and reflective elements. Originally conceived in part as a way of integrating the existing structural columns, the system evolved into the showroom’s defining visual language, breaking up the generous volume into a series of clearly articulated areas. The result is a space that feels closer to a gallery than a conventional retail environment. Vertical surfaces provide backdrops for large-format rugs, while mesh partitions define areas for weaving demonstrations, bringing the craft process into view. Smaller lounge settings punctuate the route, creating more intimate places to explore collections and materials.

At the entrance, an installation of metal birds suspended beneath the roof structure introduces the themes of lightness and repetition. The same geometry reappears in reflective installations throughout the showroom, while a vertical rug archive with pull-out storage systems turns what would normally be a functional storage area into an opportunity for browsing and discovery. Timber, raw steel and reflective surfaces are set against handwoven textiles and traditional weaving tools. Just as the repetition of gestures and knots gradually builds a pattern in weaving, here simple forms, repeated and varied, generate the architecture. The showroom becomes a three-dimensional weave in which industrial heritage, contemporary design and craftsmanship come together.







