Downtown Design
redazione 10/01/2022

Light Lines: The Architectural Photographs of Hélène Binet

The Royal Academy of Arts | London

Over the past 30 years, Hélène Binet has travelled the world to photograph works by architects including Le Corbusier, Zaha Hadid RA, Nicholas Hawksmoor, Daniel Libeskind, Jørn Utzon and Peter Zumthor Hon RA. The exhibition spans Swiss-French photographer’s career, showcasing around 90 images of more than 20 projects by 12 architects.

She approaches architectural works with a spirit of enquiry, seeking to understand the underlying conditions of the site and the intention of the architect. Often her photographs focus on a fragment of a building and do not aim to portray the whole story.

Hélène Binet, John Hejduk, Object/Subject Riga, Philadelphia, United States, 1987. Hand-printed black-and-white silver-gelatin print, 29 x 29 cm. © Hélène Binet

Hélène Binet, Lingering Garden, Suzhou Gardens, China, 2018. Digital C-type print, 80 x 80 cm. Private collection, courtesy Large Glass, London. © Hélène Binet

Hélène Binet, Zaha Hadid Architects, Vitra Firestation, Weil am Rhein, Germany, 1993. Digital black-and-white silver-gelatin print, 80 x 80 cm. Courtesy ammann // projects. © Hélène Binet

Seeking simplicity from complexity, Binet primarily makes black-and-white images that deal with light, space and form. She works only with film and has handprinted many of the works within the exhibition in her London darkroom, restricting the scale of the work to give it intimacy. Observing the essential elements of architecture, such as floor, ceiling and wall, Binet transports viewers to imaginary landscapes beyond the frame of the photograph.

Hélène Binet, Atelier Peter Zumthor, Bruder Klaus Field Chapel, Wachendorf, Germany, 2009. Digital black-and-white silver-gelatin print, 102 x 80 cm. Courtesy ammann // projects. © Hélène Binet

Hélène Binet, Le Corbusier, Canons de Lumière, Couvent Sainte-Marie de la Tourette, Eveux, France, 2007. Digital C-type print, 102 x 80 cm. Courtesy ammann // projects. © Hélène Binet

Hélène Binet, Sergio Musmeci, Ponte sul Basento, Potenza, Italy, 2015. Digital black-and-white silver-gelatin print, 153 x 120 cm. © Hélène Binet

The exhibition is curated by Vicky Richardson, Head of Architecture and Drue Heinz Curator at the Royal Academy of Arts, in collaboration with Hélène Binet.

The Jillian and Arthur M. Sackler Wing of Galleries
23 October 2021 – 23 January 2022

Our latest stories

Mediterranean turnkey
Minutes icon
1 minute

Mediterranean turnkey

RODA For You, the contract division of the RODA Group, has completed the turnkey renovation of Mazzarò Sea Palace, creating interiors and outdoor spaces that unite contemporary design with the distinctive character of Sicily

Portfolio
A new act for Puccini Hotel Milan
Minutes icon
2 minutes

A new act for Puccini Hotel Milan

A 1930s Milanese building is given a new lease of life as Puccini Hotel Milan, Tapestry Collection by Hilton: a regeneration project that brings together architecture, interior design and a strong sense of place

Hospitality
Talenti Home: beyond the boundaries of living
Minutes icon
4 minutes

Talenti Home: beyond the boundaries of living

The indoor collection by Talenti extends the brand's philosophy to the entire home, with offerings for living areas and now, the bedroom as well

Design
Tubes | Terre
Minutes icon
1 minute

Tubes | Terre

Designed by S. Herkner, this radiator is a tribute to the earth, crafted from extruded structural terracotta to forge a natural connection between function and material

Products
In Paris, design travels through time
Minutes icon
2 minutes

In Paris, design travels through time

Design Miami/Paris returns for its fourth year to L’Hôtel de Maisons with its largest program to date. 31 galleries and over 20 monumental installations create a dialogue between historic design and the avant-garde, featuring works that span 140 years of creativity

Agenda
Margraf: 120 years of the future
Minutes icon
2 minutes

Margraf: 120 years of the future

Roberto Xompero, CEO of Margraf, reflects on the company's 120 years. It's a legacy that looks to the future through innovation, design, and sustainability, transforming stone into a design material capable of speaking an ever-contemporary language

Design